2010年12月29日星期三
reference
IKKO TANAKA
The characteristic of his designs is a blending of deeply rooted Japanese traditions with western modernism to produce contemporary visual expression.
Ikko Tanaka's work includes the design of the symbols for Expo '85 in Tsukuba and World City Expo Tokyo '96. Amongst others he has worked for the Seibu Saison Group, The International Garden and Greenery Exposition, Hanae Mori, Issey Miyake, and the Mazda Corporation. Tanaka has curated and designed exhibitions for the Victoria and Albert Museum (London) and throughout Japan.[1]
Ikko Tanaka is also credited with developing the Muji together with Kazuko Koike (marketing consultant), and Takashi Sugimoto (interior designer).[2] Tanaka articulated the Muji vision and appearance, and he provided ideas and prototypes that visualized the design strategy. He worked as Muji's art director until 2001.
Ikko Tanaka has received several awards, including the JAAC Special Selection, Mainichi Design Award, Minister of Education Newcomer Prize, Tokyo ADC Members' Grand Prize, Mainichi Art Award, Purple Ribbon Medal, and the New York ADC Hall of Fame Prize. Tanka has exhibition in New York, Los Angeles, Paris, Mexico.
Ikko Tanaka has published several books, including "Design, no Zengo Sayu."[3]
Born in 1930 in Nara City, Ikko Tanaka studied art at the Kyoto City School of Fine Arts. Ikko Tanaka worked at the Sankei Shinbun, Nippon Design Center, and subsequently established his first design studio in Tokyo, the Ikko Tanaka Design Studio, in 1963.
Ikko Tanaka, January 1, 1930 – January 10, 2002) a well-known Japanese graphic designer.
The characteristic of his designs is a blending of deeply rooted Japanese traditions with western modernism to produce contemporary visual expression.
Ikko Tanaka's work includes the design of the symbols for Expo '85 in Tsukuba and World City Expo Tokyo '96. Amongst others he has worked for the Seibu Saison Group, The International Garden and Greenery Exposition, Hanae Mori, Issey Miyake, and the Mazda Corporation. Tanaka has curated and designed exhibitions for the Victoria and Albert Museum (London) and throughout Japan.[1]
Ikko Tanaka is also credited with developing the Muji together with Kazuko Koike (marketing consultant), and Takashi Sugimoto (interior designer).[2] Tanaka articulated the Muji vision and appearance, and he provided ideas and prototypes that visualized the design strategy. He worked as Muji's art director until 2001.
Ikko Tanaka has received several awards, including the JAAC Special Selection, Mainichi Design Award, Minister of Education Newcomer Prize, Tokyo ADC Members' Grand Prize, Mainichi Art Award, Purple Ribbon Medal, and the New York ADC Hall of Fame Prize. Tanka has exhibition in New York, Los Angeles, Paris, Mexico.
Ikko Tanaka has published several books, including "Design, no Zengo Sayu."[3]
Born in 1930 in Nara City, Ikko Tanaka studied art at the Kyoto City School of Fine Arts. Ikko Tanaka worked at the Sankei Shinbun, Nippon Design Center, and subsequently established his first design studio in Tokyo, the Ikko Tanaka Design Studio, in 1963.
2010年12月27日星期一
refaire le blog pour le video
Il y a des problems ? pourquoi le video ( ce que j'ai publish sur mon blog dans 22NOV ) est marche plus . ~~~~(>_<)~~~~
Donc , je vas republisher!!!
Donc , je vas republisher!!!
2010年12月24日星期五
Carnet de vayage (workshop avec Ronald CURCHOD) 2
24 heures dans le train
de pau à toulouse ,de toulouse à lyon , de lyon à st-etienne
de st-etienne à lyon , de lyon à toulouse ,de toulouse à pau
le fenêtre de train comme un écran
les temps est passes, les pasages est changes
un carnet rond ,pas de couverture , pas de debut ,pas de fin ...
de pau à toulouse ,de toulouse à lyon , de lyon à st-etienne
de st-etienne à lyon , de lyon à toulouse ,de toulouse à pau
le fenêtre de train comme un écran
les temps est passes, les pasages est changes
un carnet rond ,pas de couverture , pas de debut ,pas de fin ...
Carnet de vayage (workshop avec Ronald CURCHOD)
Le tour du cadran_un carnet de voyage
Un jour, une nuit, 24 heures de la vie d’un humain, d’une bête, d’un mètre carré de pelouse,
d’un coin de ciel... d’un réduit à balai...
Une observation du réel retranscrite en images et mots, indissociables.
Tout est question de proportions.
Le carnet de voyage comme opportunité à poser son regard sur le monde, à l'éprouver.
Le contexte de départ s'appuie sur une situation réelle.
Chacun choisira d'en rendre compte d'un point de vue purement documentaire, ou d'en tirer
parti pour générer des développements imaginaires.
Un jour, une nuit, 24 heures de la vie d’un humain, d’une bête, d’un mètre carré de pelouse,
d’un coin de ciel... d’un réduit à balai...
Une observation du réel retranscrite en images et mots, indissociables.
Tout est question de proportions.
Le carnet de voyage comme opportunité à poser son regard sur le monde, à l'éprouver.
Le contexte de départ s'appuie sur une situation réelle.
Chacun choisira d'en rendre compte d'un point de vue purement documentaire, ou d'en tirer
parti pour générer des développements imaginaires.
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